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Glenn Kenny

Tomatometer-approved critic

Reviews

Movies TV Shows
The Big Fake (2026) 2.5/4 EDIT “The hair-raising narrative content notwithstanding, the movie doesn’t create much emotional traction.” – RogerEbert.com Jan 23, 2026 Full Review Kidnapped: Elizabeth Smart (2026) 100% EDIT “Her resilience and frankly astonishing good humor come through as well. That her life since her ordeal has returned to normal — she’s now married, with children of her own — adds another dimension to her miracle.” – New York Times Jan 21, 2026 Full Review Dolores Claiborne (1995) 86% A- EDIT “Confrontations between ”crude” parent and ”sophisticated” child have long been a dramatic commonplace, but both actresses seem hell-bent to get to the core of their characters.” – Entertainment Weekly Jan 20, 2026 Full Review Misery (1990) 87% B+ EDIT “It’s hard to imagine anyone taking Bates’ place (or even wanting to, for that matter) in Misery.” – Entertainment Weekly Jan 20, 2026 Full Review Shuffle (2025) 100% EDIT “Shuffle, a shocking and confounding new documentary directed by Benjamin Flaherty, lays out in painstaking detail the collusion between moneymaking rehab treatment centers, double-dealing insurance entities and predatory social-media “scouts”...” – New York Times Jan 15, 2026 Full Review Magellan (2025) 85% 3.5/4 EDIT “‘Magellan,' about the titular Portuguese explorer, clocks in at a relatively tidy two hours and 45 minutes, making it practically an ideal starter picture for those curious about Diaz’s work” – RogerEbert.com Jan 9, 2026 Full Review My Neighbor Adolf (2022) 44% EDIT “One could call this a squandered opportunity, but then one would also have to ask, “To do what, exactly?” – New York Times Jan 8, 2026 Full Review The Choral (2025) 67% EDIT “A moving account of music as a way of coping with war, as well as keeping it at bay.” – New York Times Dec 24, 2025 Full Review Lone Samurai (2025) 2.5/4 EDIT “Filmmaker Waller is here trying to have things both ways: to pay a sincere tribute to the classic Japanese samurai movies in the widescreen frames and spurting blood it borrows, and also to make a genuine thing, a samurai qua samurai picture.” – RogerEbert.com Dec 12, 2025 Full Review Atropia (2025) 41% EDIT “The cast, also featuring Tim Heidecker, Chloë Sevigny and Channing Tatum, is charismatic and at times piercingly funny.” – New York Times Dec 11, 2025 Full Review La Grazia (2025) 81% 3/4 EDIT “It’s a startling image, in a movie full of startling, sometimes unexpected ones (like that of a robot dog making a late entrance in this picture).” – RogerEbert.com Dec 6, 2025 Full Review The Merchants of Joy (2025) EDIT “Aniskovich has the wit to do a homage to the stop-motion stylings of the television classic “Rudolph the Red-Nosed Reindeer.” She also offers up zesty character studies of the ostensible Big Five of New York City tree vendors. ” – New York Times Dec 2, 2025 Full Review You Got Gold: A Celebration of John Prine (2025) EDIT “Prine’s songs are full of wisdom, drama, laughs and heartache, and as such they’re the real show.” – New York Times Dec 1, 2025 Full Review The Stringer: The Man Who Took the Photo (2025) 92% 3.5/4 EDIT “It’s a fascinating and disquieting documentary. ” – RogerEbert.com Nov 26, 2025 Full Review Stop the Insanity: Finding Susan Powter (2025) 64% EDIT “The documentary ends not with the promise of a comeback, but with a resolution to restore some, well, sanity to Powter’s life.” – New York Times Nov 20, 2025 Full Review Trap House (2025) 52% 2.5/4 EDIT “The narrative moves along at a spanking pace, and the action is staged and shot at a pretty high level. Not quite, you know, peak Peter Hyams level, but pretty good.” – RogerEbert.com Nov 14, 2025 Full Review Being Eddie (2025) 75% EDIT “As is customary with testimonials, the emphasis is on positivity.” – New York Times Nov 13, 2025 Full Review Modi: Three Days on the Wing of Madness (2025) 50% EDIT “The energetic and arguably strenuous performance by the lead actor, Riccardo Scamarcio, is something of a flex, to be sure.” – New York Times Nov 6, 2025 Full Review Last Days (2025) 32% EDIT ““Last Days” manages to be thoroughly disquieting without overtly judging its subject.” – New York Times Oct 24, 2025 Full Review Good News (2025) 91% 3/4 EDIT “The irrepressible tone of mordant giggliness this movie hits so often is entirely its own, keeping the movie buoyant throughout its over two-hour running time. ” – RogerEbert.com Oct 18, 2025 Full Review Truth & Treason (2025) 83% EDIT “No matter its flaws, “Truth & Treason” is very well acted. Rupert Evans stands out as Erwin Mussener... His work, and that of Horrocks, keeps this uneven film watchable.” – New York Times Oct 18, 2025 Full Review Ozzy Osbourne: No Escape from Now (2025) EDIT “The movie chronicles eventual triumphs that are invariably tinged with sadness. Through it all, Osbourne’s devotion to his family, his fans, his bandmates and, yes, his art is palpable.” – New York Times Oct 7, 2025 Full Review Shell (2024) 63% 3/4 EDIT “As gnarly as things get, director Max Minghella and screenwriter Jack Stanley maintain a keen feeling for farce. ” – RogerEbert.com Oct 3, 2025 Full Review Fairyland (2023) 96% EDIT “This moving film’s sense of hometown pride is subtle but apt.” – New York Times Oct 2, 2025 Full Review Dead of Winter (2025) 75% EDIT “While Thompson’s characterization begins with strong notes of Frances McDormand’s Marge Gunderson in the classic thriller “Fargo,” the actress, as she always does, comes into her own and creates a rich rooting interest.” – New York Times Sep 25, 2025 Full Review
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