Daniel de Partearroyo
Daniel de Partearroyo's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The Chronology of Water (2025)
90%
4.5/5
EDIT
“Kristen Stewart shines in her directorial debut as a director with a very clear vision. [Full review in Spanish]
” –
Cinemanía (Spain)
Jan 8, 2026
Full Review
Sentimental Value (2025)
97%
5/5
EDIT
“Norwegian director Joachim Trier imbues Stellan Skarsgård, Renate Reinsve, and Elle Fanning with a Bergmanesque atmosphere in a father-daughter drama of family insecurities and cinema within cinema. [Full review in Spanish]” –
Cinemanía (Spain)
Dec 4, 2025
Full Review
It Was Just an Accident (2025)
97%
3/5
EDIT
“Panahi has been clear: the film was born from the torture he suffered during his last arrest. We won't deny him the right to resentment when, in addition, he maintains his calm with humor. [Full review in Spanish] ” –
Cinemanía (Spain)
Oct 15, 2025
Full Review
On Falling (2024)
96%
3/5
EDIT
“Joana Santos casts resilient eyes on this precarious worker, who represents all the vulnerability with which we have accepted to subsist so long as turbo-capitalism's race toward the abyss allows. [Full review in Spanish] ” –
Cinemanía (Spain)
Sep 18, 2025
Full Review
A Traveler's Needs (2024)
81%
4.5/5
EDIT
“A masterclass in cinema and good humor. [Full review in Spanish]” –
Cinemanía (Spain)
Apr 14, 2025
Full Review
Afternoons of Solitude (2024)
88%
4/5
EDIT
“The bloodiest film of the year exposes bullfighting in all its crudeness. [Full review in Spanish]” –
Cinemanía (Spain)
Mar 7, 2025
Full Review
The Day the Earth Blew Up: A Looney Tunes Movie (2024)
86%
3.5/5
EDIT
“Peter Browngardt maintains aesthetic continuity with his Looney Tunes Cartoons. [Full review in Spanish]” –
Cinemanía (Spain)
Mar 7, 2025
Full Review
Anora (2024)
93%
5/5
EDIT
“The pace is frenetic but Baker's control over the narrative tempo, with sudden stops and accelerations, is as well calibrated as his gaze, always without overdoing it and empathetic towards his characters. [Full review in Spanish]” –
Cinemanía (Spain)
Oct 30, 2024
Full Review
Megalopolis (2024)
46%
4/5
EDIT
“Demolitions, excess and leaps into the void. Pure Coppola. [Full review in Spanish]
” –
Cinemanía (Spain)
Sep 26, 2024
Full Review
Marcello Mio (2024)
50%
3/5
EDIT
“A family therapy reality show for 'nepo babies'. [Full review in Spanish]” –
Cinemanía (Spain)
Sep 19, 2024
Full Review
Kinds of Kindness (2024)
71%
3/5
EDIT
“Each story in this triptych could have been developed in more depth in a feature film, instead of being delivered half-baked, in a capricious and irregular manner. [Full review in Spanish]” –
Cinemanía (Spain)
Jun 27, 2024
Full Review
Close Your Eyes (2023)
93%
4.5/5
EDIT
“A film of anachronistic purity in which he [Victor Erice] demonstrates his mastery in portraying the invisible. [Full review in Spanish]” –
Cinemanía (Spain)
Sep 29, 2023
Full Review
To Leslie (2022)
93%
3.5/5
EDIT
“The ultimate display of Andrea Riseborough and Marc Maron's talent. [Full review in Spanish] ” –
Cinemanía (Spain)
Mar 1, 2023
Full Review
Decision to Leave (2022)
94%
5/5
EDIT
“Decision to Leave is above all a film about language; between people and images. [Full review in Spanish] ” –
Cinemanía (Spain)
Jan 17, 2023
Full Review
The Novelist's Film (2022)
100%
5/5
EDIT
“Here the fourth wall is not broken, it is caressed and peeled with the tremor of the fingers. [Full review in Spanish] ” –
Cinemanía (Spain)
Dec 14, 2022
Full Review
Manticore (2022)
100%
5/5
EDIT
“ Carlos Vermut 's most refined and daring film to date. [Full review in Spanish]” –
Cinemanía (Spain)
Nov 28, 2022
Full Review
Armageddon Time (2022)
77%
4/5
EDIT
“All this apocalyptic context appears filtered with subtle brilliance. [Full review in Spanish] ” –
Cinemanía (Spain)
Nov 14, 2022
Full Review
The Five Devils (2022)
85%
3/5
EDIT
“With a disappointingly predictable narrative horizon once the supernatural trick is revealed, Mysius's gaze unfolds with an undeniable magnetism that we wish to rediscover on better occasions. [Full review in Spanish]” –
Cinemanía (Spain)
Oct 18, 2022
Full Review
The Innocents (2021)
97%
3/5
EDIT
“This is not a film for apprehensive audiences or cat lovers – as it delves into amoral terrain... exposing the formation of ethics, recognizing good and evil, as well as the need to stand up and fight against the latter. [Full review in Spanish] ” –
Cinemanía (Spain)
Sep 29, 2022
Full Review
Crimes of the Future (2022)
80%
5/5
EDIT
“An unexpectedly tender film where all the obsessions of the author converge completely... leaving a tear on the cheek. [Full review in Spanish] ” –
Cinemanía (Spain)
Sep 22, 2022
Full Review
Mack & Rita (2022)
24%
2/5
EDIT
“A basic feature... the premise is diluted in a variation of Book Club. [Full review in Spanish] ” –
Cinemanía (Spain)
Aug 8, 2022
Full Review
Vortex (2021)
92%
4/5
EDIT
“Perhaps the most tender and calm film within a filmography dedicated to moral shock wrapped in visual shrillness. [Full review in Spanish] ” –
Cinemanía (Spain)
Jul 27, 2022
Full Review
In Front of Your Face (2021)
95%
4.5/5
EDIT
“Encourages you to enjoy what is sensible regardless of its secrecy... Exactly what makes Hong cinema great. [Full review in Spanish]” –
Cinemanía (Spain)
Jul 13, 2022
Full Review
The Story of My Wife (2021)
26%
2.5/5
EDIT
“[has] a story as lethargic as the protagonists' relationship. [Full review in Spanish]” –
Cinemanía (Spain)
Dec 21, 2021
Full Review
Drive My Car (2021)
97%
4/5
EDIT
“Hamaguchi gives the same importance to how what is said is said and how what is kept silent is kept silent. [Full review in Spanish]” –
Cinemanía (Spain)
Nov 5, 2021
Full Review
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