Armond White
Tomatometer-approved critic
Nouvelle Vague (2025)
91%
EDIT
“The ultimate delight of Nouvelle Vague recalls F. Scott Fitzgerald’s The Last Tycoon: Linklater appreciates that even as early as Breathless, Godard held in his head “the whole equation” of cinema and business, art and politics, exploitation and morality.” –
National Review
Jan 8, 2026
Full Review
Eephus (2024)
100%
EDIT
“Sports is the subject of Eephus, a surprisingly good movie for 2025, which was an exceptionally poor year for American films.” –
National Review
Jan 6, 2026
Full Review
Father Mother Sister Brother (2025)
81%
EDIT
“These themes are recognizable, sometimes amusing, without ever being convincing. Too many rhyming quirks and coincidences prove Jarmusch’s poor dramaturgy. ” –
National Review
Jan 6, 2026
Full Review
Marty Supreme (2025)
93%
EDIT
“None of this tells us anything new beyond confirming the insidious, treacherous, bad character traits that the millennium so far has showcased.” –
National Review
Dec 30, 2025
Full Review
Song Sung Blue (2025)
78%
EDIT
“Diamond’s mysterious craft is the secret charm that makes Song Sung Blue so very moving.” –
National Review
Dec 30, 2025
Full Review
Wild Reeds (1994)
100%
EDIT
“Its vision of political and humanist harmony remains great enough to instruct this era’s discordance.” –
National Review
Dec 20, 2025
Full Review
Highest 2 Lowest (2025)
83%
EDIT
“Lee has no interest in portraying the reality of black American economics but misreads the black bourgeoisie in terms of his own partisanship. ” –
National Review
Dec 20, 2025
Full Review
Merrily We Roll Along (2025)
95%
EDIT
“When the show’s trio cheers itself, it recalls why the Tony Awards broadcast has become unwatchable.” –
National Review
Dec 12, 2025
Full Review
Hamnet (2025)
86%
EDIT
“Everything about Hamnet is condescending, just as everything is literalized in today’s movies because Hollywood has thoroughly abandoned outreach.” –
National Review
Dec 12, 2025
Full Review
Dracula (2025)
66%
EDIT
“There’s undeniable brilliance throughout the nearly three hours. But Dracula is also [Radu Jude's] most infuriating and least disciplined film, because he doesn’t understand global disaster so much as he is simply, brazenly, cynical.” –
National Review
Dec 3, 2025
Full Review
Wicked: For Good (2025)
66%
EDIT
“Erivo and Grande both sing with so little personality that their friendship just seems like a tired gimmick. And the Easter egg ending that contradicts the story’s original moral lesson is not happy.” –
National Review
Dec 3, 2025
Full Review
Nuremberg (2025)
72%
EDIT
“The mix of sentimentality and skepticism defeats the movie.” –
National Review
Nov 25, 2025
Full Review
Ballad of a Small Player (2025)
48%
EDIT
“Ballad of a Small Player is a modern version of an international co-production -- what once was a common feature of post-WWII filmmaking shared among nations. Using exotic locales, this production represents globalist insecurity.” –
National Review
Nov 15, 2025
Full Review
Frankenstein (2025)
85%
EDIT
“Del Toro’s movie begins with a premise intended to fascinate. But it’s merely a banal excuse for his usual generic specialty: macabre pseudoscience and outlandish violence.” –
National Review
Nov 14, 2025
Full Review
Hedda (2025)
89%
EDIT
“Quoting the ancient Greek comic dramatist Antiphanes in the prologue of Hedda, a new update of Henrik Ibsen’s Hedda Gabler, does not prove writer-director Nia DaCosta’s sophistication; it announces her inanity.” –
National Review
Nov 7, 2025
Full Review
Auction (2024)
90%
EDIT
“Subtlety is rare in pop fiction, but it distinguishes Auction’s depiction of the art world. ” –
National Review
Oct 31, 2025
Full Review
A HOUSE OF DYNAMITE (2025)
75%
EDIT
“A House of Dynamite is not a work of realism. Bigelow’s style of headlong scenes, brief interactions, worried facial expressions, and a deluge of wonky acronyms simulates naturalism in place of actual governmental disclosure. ” –
National Review
Oct 30, 2025
Full Review
Springsteen: Deliver Me from Nowhere (2025)
61%
EDIT
“It’s an unreliable and politically dishonest film, a showbiz version of Hamilton. ” –
National Review
Oct 27, 2025
Full Review
It Was Just an Accident (2025)
97%
EDIT
“Panahi clearly tests the market for political clichés. The fundamental problem is that the unseen torture and uncertain identification of Eghbal creates an over-projection of Iranian fascism and paranoia that seems to lie within...” –
National Review
Oct 27, 2025
Full Review
Blue Moon (2025)
90%
EDIT
“The pity-party approach of Blue Moon betrays its subject... Hart’s perfectionist demand for “hard-earned joy, unsentimental joy” becomes a hipster cop-out. ” –
National Review
Oct 18, 2025
Full Review
Honey Don't! (2025)
45%
EDIT
“Refusing to understand others when you can merely ridicule them, Coen and Cooke over-politicize their own conceit.” –
National Review
Oct 18, 2025
Full Review
After the Hunt (2025)
37%
EDIT
“After this supposition -- that the smartest people in the world are in conflict with their human frailties -- the filmmakers refuse to hold the nation’s elite accountable for making the world miserable.” –
National Review
Oct 12, 2025
Full Review
Happy Gilmore 2 (2025)
62%
EDIT
“Sandler’s bar-mitzvah-banquet genre is the closest American movies get to the emotional amplitude of France’s Jean Renoir. ” –
National Review
Oct 4, 2025
Full Review
One Battle After Another (2025)
94%
EDIT
“Anderson’s title lacks Pynchon’s pith but daydreams a culture of never-ending political obstruction and pandemonium. It is the year’s most irresponsible movie.” –
National Review
Sep 26, 2025
Full Review
Megadoc (2025)
98%
EDIT
“A significant report on the self-destructive tendencies of Millennial cinema.” –
National Review
Sep 26, 2025
Full Review
No Reviews Yet
Load More
Something went wrong.. try again